If you're a fan of British Invasion bands with a more aggressive edge - the bluesy, garage rock along the lines of The Yardbirds, Pretty Things, Rolling Stones, Them - then Vancouver's The Top Drawers are going to be right up your alley. I'm not saying that they draw their inspiration from the music of that era, I'm saying that they ACTUALLY SOUND LIKE some long-lost band that would have been tearing up London clubs in the summer of 1966, from the hand claps and "ooo yea!" call/response harmonies to guitarist Phil Bell's authentic Beano-era Clapton tone. This is largely due to the fact that, just like back in the day, the album was recorded live off the floor, mixed (by ex-Odds singer/guitarist Steven Drake) and mastered in just 7 days. No edits, auto-tuning or digital trickery to be found here, just energy and good old-fashioned musicianship. Perhaps if they had mixed the record in mono, pressed it onto vinyl, and pre-scuffed and scratched the records, the could have passed "You're So Fine" off as a super-rare, obscure treasure of the mid-60s (and at collector prices!). They'd no doubt fool a lot of people.
> Kevin Kane, BC Musician Magazine
The obvious clue to what this band is all about is its cover of The Zombies' "Just Out Of Reach." As well as being an astute choice of song, the upfront harmonies and the beat form a signpost to the era The Top Drawers effortlessly recapture. This is the sound of British Invasion rock a few years after Merseybeat but before all the bands consumed too many drugs, went psychedelic and the term freakbeat was coined. There are traces of both the early Beatles and The Rolling Stones with just a bit of American garage rock thrown in. Even if you didn't experience 1964 you'll be nostalgic. B+
> Tom Harrison, The Province
Sometimes it's good to state the obvious. From the first notes of "Crazy Day" you know these Top Drawers want to dish out some top-shelf material: no frills, four-on-floor garage rock is this foursome's call to arms. Whether it's the Beatles-esque charm of the title track, "You're So Fine", the chippy handclaps and even chippier guitar melodies of "How Can It Be?", or the Smithereens-style stomp and shout of "Out Of Town", this act has some talent and probably a decent amount of record-collecting experience as well.
A distinctive slant toward the swingin' '60s dominates on other tracks, like "Locked Door", which showcases Del Cowsill's danceable Dave Clark Five drumbeat. "Baby I Feel Had", meanwhile, demonstrates you can't go wrong turning to the Kinks for inspiration. Nay, all this sounds just as it was intended - straight-ahead, fun-as-hell, and without compromise.
> Bryce Dunn, The Georgia Straight
Read more: www.myspace.com/thetopdrawers#ixzz0yKIWf6I5